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Renowned immigration lawyer Kerry Murphy explains how changes in government refugee policy are strongly coloured by community fears about migrants and refugees.
Rudd's cold rebuttal of Assange's mother's appeal to him is most unworthy. To say Assange has been offered consular assistance does not answer her. David Hicks and Mamdouh Habib received similarly worthless consular access.
Last week's media coverage of Chinese President Hu Jintao's Washington visit focused on Senator Harry Reid's offhand remarks. Reid called Hu is a 'dictator', describing his government as 'different' to that of the US. But China is on a path towards a form of democracy that may be no less democratic than many western nations.
Harry Wetnose the Bigeye Tuna will probably never adorn any T-shirts. Nevertheless, the endangered Bigeye Tuna is in big trouble and could do with some help. The way we relate to fish raises some important questions about what it is to be a responsible person in the world.
'Tonight I want to reflect in light of the National Human Rights Consultation how we as Church can do better in promoting justice for all in our land. Full text from Frank Brennan's 2010 McCosker Oration, 'The Church as Advocate in the Public Square: Lessons from the National Human Rights Consultation'.
A few weeks ago Tim Winton's Breath was awarded this year's Miles Franklin Literary Award. This video trailer is a poetic combination of strong images, haunting music, quotes, and eloquent interview with the author.
The video featured on this page is a substandard, pirated copy of an artist's work, posted on YouTube. For most of us, it's the only means of seeing some of the most celebrated work of one of Australia's leading emerging artists.
Fitna is a heavy handed piece of anti-Muslim propaganda. It plays into the kinds of sentiments and fears that are exposed when, for example, plans are put forward to build a Muslim school on Sydney's southwest fringe.
The internet raised Susan Boyle to superstardom, while traditional media heaped her with disparagement and conjecture. Might the more democratic realm of new media might provide a more saintly balance to the traditional tabloid monster?
In 1974 French acrobat Philippe Petit balanced mortality and destiny on a wire between New York City's Twin Towers. This documentary imbues Petit's dizzying, existential quest with the dramatic tension of a bank heist.
One was shot on location in Pakistan by an amateur Sydney filmmaker. The other is a cartoon made by an Iranian expatriate about life in Tehran. What do such different films have to tell us about humanity in the Middle East?
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